Showing posts with label patriarchy. Show all posts
Showing posts with label patriarchy. Show all posts
Friday, December 28, 2012
and just like that .... a thought
I was just thinking of god and mother gods and the whole parthenon of these entities.
Its always seemed curious to me that god has the appearance of an elderly, sometimes friendly, often cantankerous grandfather type.
Such a patriarchal image must relate to what we both want and fear from our fathers. perhaps, in a culture which denies many men avenues for the gentle expression of love, a loving father is a dream and wish rather than an everyday experience. ((I apologise to those of you who are loving fathers but this is not about the particular))
Perhaps in the matriarchal culture which created the mother goddess - things were similar but different. perhaps the image of a loving and nurturing mother was the dream in the presence of strong and powerful women.
perhaps matriarchal rule is similar to patriarchal to most subjects - a ruler is a ruler is a ruler.
We posit a very real difference because we want there to be one
Wednesday, February 10, 2010
matriarchal cultures

seem so very seductive but I wonder if they would be so very different. The problem we have is the synthesis between patriarchy and commercialisation and commodification - the mix with matriarchy might not be so very different - if the overwhelming function remains the aggregation of money and power. I hesitate to think what a powerful matriarch would be in that situation.
I love the matriarchy of elephants and the idea they talk as they walk and they walk at the pace of the smallest walker.
perhaps that is the fundamental difference between patriarchal and matriarchal leadership.
the patriarch will achieve a set objective and will count and mourn the cost but consider it the price that has to be paid. the matriarch will consider the objective and will ensure everybody gets there.
When my sister died I wrote this poem. It was for her death and mine.
Song for the Triple Goddess
Death, when
you come for me
I'll be waiting.
My sons have taken the cloth from
my loom, folded it neatly
and put it in the basket I wove last
fall.
My favourite skirts,
folded in the other, are scented with
the bay leaves I collected.
My grandson has gifted me
the stick he hasn't finished carving.
It's beauty lies
within the wood still.
My daughters have washed my skin,
perfumed and plaited my hair; flowers tucked in my braid
remind me
winter is still not
quite here.
Death, we can sit awhile and drink together.
There is a brew there in the third basket.
We made it this summer.
Visions and pathways.
I am not lost.
In my hand I have the flower
I gave my love
when, as children,
we looked into each other
and saw who we were
and were to be.
he kept it.
I leave him the laughter and tears
of our life.
Labels:
death,
matriarchy,
patriarchy,
sister,
triple goddess
Tuesday, February 9, 2010
The Road

I went to see this movie last week and was deeply affected by the experience. The movie is almost as sparse as the book - almost as harrowing. The movie form requires a little more explanation than the book and loses something because of this.
Post-apocalyptal fiction fascinates me. I remember Stanley Roach, my literature professor at university as an undergraduate and an incredible woman - telling me every generation had to rewrite Hamlet and also had to place itself at the end of the world to ensure its immortality.
I believe this to be the function of post-apocalyptal fiction - without us there is no future. I'm curious about the savagery of these futures we now envision, although I know we are as savage as we are humane.
I think, for me, this is the passion of The Road - the absolute and unconditional love of a father for his son.
We don't hear much about such a thing in these days - we know about maternal love; we know about the power of the patriarchy but the deep and simple love of a father for his son has been lost and we are less for it.
The closest we get is the pieta created in a photograph after 9/11 when a fireman cradled the body of a man he had pulled from the wreckage.
When I find that image I will add it to this if I may.
I'm also deeply touched by the concept and the imagery of the pieta - as my grandmother said when my mother died and she was destroyed by her loss. "parents just aren't meant to outlive their children."
That pain is implicit in every pieta I have ever seen.
This one is mine - made when I was mourning the destruction of my own self .
Post-apocalyptal fiction fascinates me. I remember Stanley Roach, my literature professor at university as an undergraduate and an incredible woman - telling me every generation had to rewrite Hamlet and also had to place itself at the end of the world to ensure its immortality.
I believe this to be the function of post-apocalyptal fiction - without us there is no future. I'm curious about the savagery of these futures we now envision, although I know we are as savage as we are humane.
I think, for me, this is the passion of The Road - the absolute and unconditional love of a father for his son.
We don't hear much about such a thing in these days - we know about maternal love; we know about the power of the patriarchy but the deep and simple love of a father for his son has been lost and we are less for it.
The closest we get is the pieta created in a photograph after 9/11 when a fireman cradled the body of a man he had pulled from the wreckage.
When I find that image I will add it to this if I may.
I'm also deeply touched by the concept and the imagery of the pieta - as my grandmother said when my mother died and she was destroyed by her loss. "parents just aren't meant to outlive their children."
That pain is implicit in every pieta I have ever seen.
This one is mine - made when I was mourning the destruction of my own self .
Labels:
patriarchy,
piata,
The Road,
unconditional love
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